Trink Magazine | That viticulture is still possible in Germany’s Saale-Unstrut in an age of climate crisis is due to the microclimate of the valleys and the perseverance of its growers.
Christoph Raffelt is one of an exciting new vanguard of voices when it comes to German wine. And voices is not a euphemism here, as it is indeed his voice together with his stellar cast of winemakers and guests that come together on his monthly podcast Originalverkorkt.de; while his words appear in his online magazine of the same name. He's been on the road since 2016 with Büro für Wein & Kommunikation as a freelance journalist, copywriter and all-round wordsmith. His work has appeared in such esteemed publications as Meiningers, Weinwirtschaft, Weinwelt, Sommelier, Champagne-Magazin and Schluck.
The sun blazes. The air shimmers. On the horizon four figures throw long shadows across the dry, crumbling ground. They are headed toward a city. Doors swing open. The four step from light into dark, their throats dusty and dry. Behind a deserted bar stands a man. He pushes four full glasses over to them. Out of the glasses sloshes a wine as red as the setting sun. If you aren’t thirsty by now, you should at least be hearing the melody of a harmonica. This is how the opening scene of a revival—the Rotling revival—could begin. The four men…...
Home is where the vines grow. We’ve all heard variations on that theme. But just how far can that idea be taken? WeinGoutte offers one answer. This portable micro-estate — whose first vintage sold out in a blink — is the brainchild of husband-and-wife team Christoph Müller and Emily Campeau. The concept goes beyond negociant but stops well short of flying winemaker. It also presents an entirely new model for a footloose generation’s interpretation of the relationship between vintner and site. Campeau, a fierce lover of food and wine (and a vivid writer on both), is originally from Québec. Her experiences in…...
“Free your mind and the rest will follow.” Coming from one of the co-owners of Germany’s oldest wine trading houses, one might suspect a quote from Goethe, Schiller, or Nietzsche. It’s actually the American R&B/pop group, En Vogue. And that makes for a jarring, if fitting, introduction to my conversation with these stewards of tradition in German wine that look back to 1786 in Worms as easily as they look ahead to 2019 Organic Madonna. P.J. Valckenberg has the history and the pedigree, no question. Its customers have included the Swedish royal family and Charles Dickens. In addition to a truly impressive portfolio…...
A handful of Weinheim visionaries are reshaping the future of German wine in the country's largest winegrowing region with lessons from the past.
Her child, she thinks, is a Riesling. Of all the varieties in the world, she inevitably returns to this one. There is something in the grape’s singular ability to convey fragility and strength, ephemera and eternity, that mirrors motherhood and frames the child in her mind’s eye. The child could have reflected a multiple of varieties, a blend perhaps, or a different hue. She remembers a strawberry-scented evening of pink Cinsault in a South African game lodge, bottomless glasses as sundowners, followed by a queasy morning-after, and a realization that the child — then little more than a flicker —…...
10 sparkling secrets of the sekt generation.
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