Jonas Dostert is relaxing in the inner courtyard of his family’s Southern Mosel estate in Nittel. The sun is shining, the grapes were harvested in late October. Dostert is one of the growers of note at the southern end of the Mosel, a stretch long known as Obermosel. It’s a name many young growers in particular have rejected, as part of an effort to separate themselves from the region’s poor image in the past. “Obermosel” conjures images of accommodating, appeasing wines, the very definition of compromise. Dostert has quite a different understanding of winegrowing: “What I do is different from what’s…
Rainer Schäfer writes about what he values most: wine, food, and soccer. The first wine that impressed him as a teenager was a Silvaner from Endingen, grown in the vineyard of his Kaiserstühl relatives. He's lived in Hamburg for 30 years and travels the wine regions of the world, always curious about dazzling personalities, surprising experiences, and unknown pleasures.
March 25, 2024 Update: Eva Fricke and the German Wine Collection no longer together. Apparently, the tango takes even more complex footwork than either party anticipated. And the frisson of friction is real. In wine, the relationship between importer and producer works better when it’s more tango than transaction. First there is the careful footwork of their own internal negotiations, then a set of fancy steps together for the audience. The goal is to position the new producer within an aesthetic and cultural context that would-be consumers will find attractive. It is a delicate dance that requires surprising intimacy and…...
For decades, America was indeed the promised land: A vast nation of eager consumers with a low bar for entry. German winemakers were among the throng of sellers vying to win a sliver of Americans’ massive spending power. But times — along with politics and tariffs — have changed. Now, German winemakers are finding that their most loyal and free-spending audience may actually be up north. How Did We Get Here? The public’s perception of German wine is capricious; more so, arguably, than that of any other wine-producing nation. After rising to prominence over the 19th century, German wine suffered…...
What do one of the Mosel’s oldest winemaking estates and a country with a fledgling wine-drinking culture have in common? The answer, as with most things in life, is Riesling. “German Riesling has become a synonym for white wine in Finland,”” says Heidi Mäkinen MW, Portfolio Manager for Viinitie Oy, one of that country’s largest importers of German wine. “Finns like the freshness and fruit, and Riesling is one of those wine words that’s incredibly easy to pronounce.” As Viinitie’s new portfolio manager, Mäkinen, for whom work and private life has little separation, has kicked off her holidays 2,000 kilometers south of her…...
On the dark morning of March 26, 1827, a heavy snowstorm was falling outside the fogged window panes of Ludwig van Beethoven’s Vienna apartment. Everything was unusually quiet in this space, so customarily filled with music. Beethoven’s house servant walked into the room to announce that a long-awaited shipment of Rheingau Rieslings, wines sent at his behest by his music publisher Schott, had just arrived. Barely able to muster the energy, the composer sat up in his bed, shook his fist in anger, and muttered these very last words: “Pity, pity, it’s too late…” He sank back into his bed,…...
